[et_pb_section fb_built=“1″ custom_padding_last_edited=“off|desktop“ admin_label=“Hero“ _builder_version=“4.16″ use_background_color_gradient=“on“ background_color_gradient_stops=“#ffffff 0%|#ffe6bf 100%“ background_color_gradient_start=“#ffffff“ background_color_gradient_end=“#ffe6bf“ custom_margin=“|||“ custom_padding=“100px||50px|||“ custom_padding_tablet=“130px||130px|“ global_colors_info=“{}“][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_margin=“|||“ custom_padding=“1px|||||“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ custom_padding=“|||“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.27.2″ header_font=“Merriweather|700|||||||“ header_font_size=“46px“ header_line_height=“1.3em“ custom_margin=“||0px|“ animation_style=“flip“ animation_direction=“top“ global_colors_info=“{}“]<\/p>\n
[\/et_pb_text][et_pb_divider color=“#fea30b“ divider_position=“center“ divider_weight=“2px“ _builder_version=“4.16″ max_width=“90px“ max_width_tablet=“12%“ max_width_last_edited=“off|desktop“ custom_margin=“|||“ animation_style=“flip“ animation_delay=“50ms“ global_colors_info=“{}“][\/et_pb_divider][et_pb_text _builder_version=“4.27.4″ text_font=“||||||||“ text_font_size=“18px“ text_line_height=“1.8em“ min_height=“593px“ custom_margin=“1px|||||“ animation_style=“flip“ animation_direction=“top“ animation_delay=“100ms“ global_colors_info=“{}“]<\/p>\n
Ren\u00e9e Desjardins (ona) je docentkou na Universit\u00e9 de Saint-Boniface vo Winnipegu v Kanade, autorkou knihy Translation and Social Media: In Theory, in Training, and in Professional Practice (Preklad a soci\u00e1lne m\u00e9di\u00e1: V te\u00f3rii, vo vzdel\u00e1van\u00ed a v profesion\u00e1lnej praxi) (Palgrave Macmillan, 2017) a spolueditorkou publik\u00e1cie When Translation Goes Digital: Case Studies and Critical Reflections (Ke\u010f sa preklad digitalizuje: Pr\u00edpadov\u00e9 \u0161t\u00fadie a kritick\u00e9 reflexie) (Palgrave Macmillan, 2021).<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ custom_padding=“|||“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_image src=“https:\/\/www.tic-conference.eu\/wp-content\/uploads\/2024\/10\/thumbnail_ProfilDesjardinsmini-rotated.jpg“ title_text=“thumbnail_ProfilDesjardinsmini“ force_fullwidth=“on“ align_tablet=“center“ align_phone=““ align_last_edited=“on|desktop“ _builder_version=“4.27.2″ custom_padding=“0px|||49px||“ animation_style=“slide“ animation_direction=“right“ animation_intensity_slide=“10%“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ module_id=“jan-key“ _builder_version=“4.22.1″ _module_preset=“default“ custom_padding=“||0px||false|false“ global_colors_info=“{}“][et_pb_row _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.27.4″ _module_preset=“default“ text_font_size=“18px“ text_line_height=“2em“ custom_padding=“|0px|||false|false“ custom_padding_tablet=“|0px|||false|false“ custom_padding_phone=“|0px|||false|false“ custom_padding_last_edited=“on|tablet“ global_colors_info=“{}“]Viac ako p\u00e4tn\u00e1s\u0165 rokov sa venuje v\u00fdskumu a p\u00edsaniu o preklade a soci\u00e1lnych m\u00e9di\u00e1ch. K tejto t\u00e9me prispela aj v mnoh\u00fdch \u010fal\u0161\u00edch publik\u00e1ci\u00e1ch vr\u00e1tane The Routledge Encyclopedia of Translation Studies (Routledge encyklop\u00e9dia translatol\u00f3gie), The Routledge Handbook of Translation and Pragmatics (Routledge pr\u00edru\u010dka prekladu a pragmatiky) a v \u0161peci\u00e1lnom vydan\u00ed periodika Translation Studies o \u201esoci\u00e1lnom preklade\u201c. Jej najnov\u0161ia pr\u00e1ca, ktor\u00e1 bola financovan\u00e1 na in\u0161titucion\u00e1lnej aj na \u0161t\u00e1tnej \u00farovni, sk\u00fama preklad v tzv. gig ekonomike a v ekonomike tvorcov obsahu a influencerov. V s\u00fa\u010dasnosti je dr\u017eite\u013ekou dvoch n\u00e1rodn\u00fdch v\u00fdskumn\u00fdch grantov od Kanadskej rady pre spolo\u010densk\u00e9 vedy a v\u00fdskum: grantu Insight na projekt s n\u00e1zvom TikTokers, Instagrammers, Podcasters, Livestreamers – and Translators: Translation in the Creator Economy (TikTokeri, instagrameri, podcasteri, livestreameri \u2013 a prekladatelia: Preklad v ekonomike tvorcov obsahu) a grantu Connection ako \u010dlenka t\u00edmu pre LINET, frankof\u00f3nnu v\u00fdskumn\u00fa skupinu zameran\u00fa na vzdel\u00e1vanie prekladate\u013eov, pedagogiku prekladu a nov\u00e9 technol\u00f3gie.[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row disabled_on=“on|on|on“ _builder_version=“4.20.2″ _module_preset=“default“ disabled=“on“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.20.2″ _module_preset=“default“ text_font_size=“18px“ text_line_height=“2em“ custom_padding=“|0px|||false|false“ custom_padding_tablet=“|0px|||false|false“ custom_padding_phone=“|0px|||false|false“ custom_padding_last_edited=“on|tablet“ global_colors_info=“{}“]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=“4.20.2″ _module_preset=“default“ text_font_size=“18px“ text_line_height=“2em“ custom_padding=“|0px|||false|false“ custom_padding_tablet=“|0px|||false|false“ custom_padding_phone=“|0px|||false|false“ custom_padding_last_edited=“on|tablet“ global_colors_info=“{}“]Virality, isolation and deepening divides could be parts of the world as seen by a translation scholar on a bad day. For each of those terms, one can muster sufficient anecdotes and surprising tendencies to justify blaming huge hidden forces for unleashing evil on us all. Such narratives easily drift into certainties of conspiracy and calls for resistance \u2013 or indeed despair and renouncement. Alternatively, one could admit that no individual is able to see all the data that could justify such generalizations; alternative anecdotes and facts are always available; causation and corresponding guilt are typically complex; and our research must thus begin from active recognition of our initial ignorance. It is thus from an actively recognized uncertainty that we need to act empirically, assuming from the outset that our object of knowledge, translation, exceeds its theorization. This paper will explore empiricist responses to some of the more desperate claims currently made with respect to translation: espistemicide, hegemony, and automation. It will outline ways in which knowledge can be produced without assuming any general certitude, without requiring neutrality or objectivity, and with a chance of helping to solve the problems that confront us all.[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_button button_url=“https:\/\/www.tic-conference.eu\/en\/keynote-speakers\/paola-gentile\/“ button_text=“Next speaker – Paola Gentile“ button_alignment=“right“ disabled_on=“on|on|on“ _builder_version=“4.19.0″ _module_preset=“default“ custom_button=“on“ button_text_size=“14px“ button_text_color=“#000000″ button_bg_color=“#fea30b“ button_border_width=“12px“ button_border_color=“#fea30b“ button_border_radius=“0px“ button_letter_spacing=“1px“ button_font=“|700||on|||||“ button_icon=“$||divi||400″ button_icon_color=“#000000″ button_on_hover=“off“ background_layout=“dark“ custom_margin=“|||“ custom_padding=“|||“ disabled=“on“ global_colors_info=“{}“][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ _builder_version=“4.22.1″ custom_padding=“50px|0px|0px|0px|false|false“ saved_tabs=“all“ global_colors_info=“{}“][et_pb_row _builder_version=“4.16″ custom_margin=“|||“ custom_padding=“|||“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ custom_padding=“|||“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.27.4″ text_font=“||||||||“ header_font=“||||||||“ header_2_font=“Merriweather|700|||||||“ header_2_text_align=“center“ header_2_text_color=“#21212a“ header_2_font_size=“40px“ header_2_line_height=“1.3em“ max_width=“700px“ module_alignment=“center“ custom_margin=“|||“ hover_enabled=“0″ global_colors_info=“{}“ sticky_enabled=“0″]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_blurb _builder_version=“4.27.4″ _module_preset=“default“ text_orientation=“center“ hover_enabled=“0″ global_colors_info=“{}“ sticky_enabled=“0″]<\/p>\nKeynote speech<\/strong><\/span><\/h3>\n
Na\u0161i sponzori<\/span><\/h2>\n